Further on the low basses sound cristal clear without overriding lotto bochum riemke the treble-notes.
Highlight of the four later Folia-pieces is the joyfull enumeration of two Folias into one sparkling piece for harp (Maxime Eilander) accompanied by baroque guitar.
And a bit of a relief that the obvious choice of Corelli's Folia here is passed in favour of the Vivaldi- and the Geminiani-Folia.What I find central to this is the quality, so-to-say the real magic, of Brüggens sound.Ist es ein Zufall, dass sie alle in den letzten Lebensjahren ihrer Verfasser enstanden sind?Um 1500 taucht für diese Gesänge in Spanien der Name "folias" auf.The only disadvantage I always encouter as a non-recorder-expert with these Corelli-recorder arrangements is that the pitch of the instrument seems artificially too high to appreciate the Follia to the full extend.These adagio variations of Corelli's Follia are one of the darkest in minor to pick and with the harp playing the melody line it even gets a more melancholic character.
Paola Erdas and Jorge Alberto Guerrero support very effectively the soloist, carving the bass line with a present and dedicated play which follows closely Cavasantis interpretation.
Although i am no connoisseur of guitar music, i like the natural tempi of the music.
Melodies titled folia are on record as early as 1577, and it is upon the bass of one of these tunes casino tisch kaufen that most folia variations are constructed.The only thing I cannot understand is why the Prelude and Sarabande (3rd Suite in d minor) of Jean-Henry d'Anglebert is included and his most famous Folies d'Espagne from the same bundle is left out of the selection.6) Mention is made in the literature of the time that it was sometimes even forbidden.Nationally, Italy, France and Germany, with their own individual styles, are represented.Once more there is no distinction made between the so called early or later Folias.This process transforms Follía into something that does not belong to the author, into something that can be, at the same time, both alienated and alienator.The recorder is an instrument with a particular limited amount of overtones it is actually a good approximation to a sonic laser with all the energy concentrated in the fundamental and Brüggens playing puts this quality at the center of his constant focus.The variations by François Couperin of his 'Les Folies françaises ou les Dominos' for solo harpsichord are scattered separately as moments of refuge in between the up tempo tracks.It must be said that this depressive perception is not shared by other Folia-lovers.Very helpful is the fact that all variations of the disc are indexed (47 tracks in total) so it is easy to skip to a particular variation or to make an analyse of pieces more easy.5048 - Recercadas VII y viii sobre La Follia.Falconieri, Andrea (1585-1656) Title: Folias echa para mi Señora Doña Tarolilla de Carallenos Performers:.This is not the first Folía-encounter for Ruggero who has corporated with the Amadeus-project and recorded previously the Alessandro Scarlatti's Folías variations, he also played at live recitals.This is achieved by basing the music on a well known and quite simple melody, namely the Folia theme.
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